At 20, despite this cheeky youth which bathes her brown eyes in a pure, vivid glow, Adèle Castillon has already lived several lives, both fictional and real. The result is an intimate debut album that tells the unvarnished story of a first break-up in love, the torments of emotional dependence and addiction itself. All with authenticity and freshness poetic that already made the songs of Vidéoclubthe nostalgic 80s electro-pop duo - a la Odezenne meets Elli et Jacno - that she formed with Matthieu Reynaud in Nantes at the age of seventeen. [...]
When she was still at lycée, a first love, as dazzling as all firsts, inspired her to set up Vidéoclub with her then lover. The clip for Plastic love "The video was cobbled together from scratch and shared by a Mexican actor in a Netflix series that went viral, attracting them tens of millions of streams. A legend was born, culminating in a tour and a final video, 'SMS', which mischievously summed up three years of love and announced their break-up.
Anyone other than Adèle Castillon could have lost her way. But it's she who's writing the rest, alone, a quiet force despite her admitted frailties, and a bumpy road that can be seen behind the perfectly aligned title of this promising debut album. Signed to the from Iconoclast, the ultra-creative image production company, she found in Surkin, sharp talent for electro as precocious as she was, the ideal partner for the two of them to chart a new musical course, combining the innocence of French pop with a down-to-earth, homemade spirit and impeccable references.This is the debut of a young artist who is set to make a name for herself in the months to come, with songs as varied as Adèle Castillon's Generation Z playlist, Taxi Girl, Suicide, Billie Eilish, Madonna, Beach House, Tame Impala, Chromatics, Miley Cyrus, Daft Punk Lio, Damso, Muddy Monk, Mylène Farmer and Agar Agar. It's a vibrant debut from a young artist who we're betting will be making a name for herself in the months to come.
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